Bad break-ups are bad, but don't move cross-country.
On the bright side, I'm deciding what to do with my next few years, and it's different than what we all expected.
On the brighter side, have you pre-ordered Temporary Yes yet?
Saturday, January 21, 2012
Thursday, January 19, 2012
Friday, January 13, 2012
Wednesday, January 4, 2012
Saturday, December 10, 2011
Saturday, November 12, 2011
Leave a Mess
Leave the cigarettes unfinished when you go. Leave summer still
to happen and all the leaves gone red or yellow sealed for keeping
after you’re gone. Leave friends at dinners, holding places for you,
empty chairs that won’t be filled by talk or toasting in the quiet months
since you have gone. Leave the kitten set for scratching messages
into the skin, the wine still bottled, the doors blown open for visitors
and registries of cold. Leave love untold, the telephone still dead
and unaware that you have gone. Leave the wind in every ribcage,
beating code to say that you have gone. Leave airplanes ascending
altitudes and clocks to be reset when you have gone. Leave
skin underneath your fingernails for evidence of what has made you
go. Leave the mouth of every stranger filled with gossip at your
leaving, every tooth tuned to departure, every standing, sitting,
falling body well-tempered for goodbye. Leave everything and every-
one you’ve touched with fingerprints to be washed clean of upon
some future bath time or dusting. Leave the steady ironed outfits
swinging softly inside doorframes and the laundry set to spinning
in the washer, dryer, tornado season where it was when you had
gone. Leave the furniture upended, every book and dish
and conversation bloodied and chipping paint against the wall. Leave
handprints on your spouse’s cheeks and handprints in the pockets
of your favorite jeans when you are on the way out and going.
Leave words you’ve said not to spark a cinema or any attentive
undertaking in the guise of Where have you been? but leave an all-
around Hello for any potential admirer who might slip a note of praise
into your skull when other eyes have turned to go. Leave all mistakes
for reckoning in figures now that you have gone. Leave no voice to say
Gone, Gone Away, when you’re out-out but have not yet gone.
to happen and all the leaves gone red or yellow sealed for keeping
after you’re gone. Leave friends at dinners, holding places for you,
empty chairs that won’t be filled by talk or toasting in the quiet months
since you have gone. Leave the kitten set for scratching messages
into the skin, the wine still bottled, the doors blown open for visitors
and registries of cold. Leave love untold, the telephone still dead
and unaware that you have gone. Leave the wind in every ribcage,
beating code to say that you have gone. Leave airplanes ascending
altitudes and clocks to be reset when you have gone. Leave
skin underneath your fingernails for evidence of what has made you
go. Leave the mouth of every stranger filled with gossip at your
leaving, every tooth tuned to departure, every standing, sitting,
falling body well-tempered for goodbye. Leave everything and every-
one you’ve touched with fingerprints to be washed clean of upon
some future bath time or dusting. Leave the steady ironed outfits
swinging softly inside doorframes and the laundry set to spinning
in the washer, dryer, tornado season where it was when you had
gone. Leave the furniture upended, every book and dish
and conversation bloodied and chipping paint against the wall. Leave
handprints on your spouse’s cheeks and handprints in the pockets
of your favorite jeans when you are on the way out and going.
Leave words you’ve said not to spark a cinema or any attentive
undertaking in the guise of Where have you been? but leave an all-
around Hello for any potential admirer who might slip a note of praise
into your skull when other eyes have turned to go. Leave all mistakes
for reckoning in figures now that you have gone. Leave no voice to say
Gone, Gone Away, when you’re out-out but have not yet gone.
Last Poem
You’re the you in this poem,
the one where I’m dead in the orange room,
the one where I’m dead abroad. In this poem,
I’m dead in a hospital room calling
coma with old lovers, calling languages
I can’t remember speaking while awake. You’re
the you in this poem. If we’re both what we
should be, you’ll be dead before I come home.
the one where I’m dead in the orange room,
the one where I’m dead abroad. In this poem,
I’m dead in a hospital room calling
coma with old lovers, calling languages
I can’t remember speaking while awake. You’re
the you in this poem. If we’re both what we
should be, you’ll be dead before I come home.
Tuesday, November 8, 2011
Zelda, where you left me, down the stairs
If you believe it the way she tells it, she married him
because she’d heard somewhere that married people
never go to jail. What remains
of the bubble bath sucks at her body like dry skin.
Everywhere, he is. Everywhere he is
he is knocking on some windowed part of her,
he is touching in her some memory he put there.
He speaks in books to other women, color-coded.
because she’d heard somewhere that married people
never go to jail. What remains
of the bubble bath sucks at her body like dry skin.
Everywhere, he is. Everywhere he is
he is knocking on some windowed part of her,
he is touching in her some memory he put there.
He speaks in books to other women, color-coded.
On preparing for a visitor -
I have stolen you and will continue to do so.
Blinds open and dusting, we fill each other like
powder. There are poems in which you remember
what it felt like to touch before you touched me.
In some poems, we’re touching and you’re remembering
another someone – on a stool or in a parking lot,
teeth broken against your mouth or palm or thigh. I
arrange the books by color to find where you’ve been
unintentionally inside.
Blinds open and dusting, we fill each other like
powder. There are poems in which you remember
what it felt like to touch before you touched me.
In some poems, we’re touching and you’re remembering
another someone – on a stool or in a parking lot,
teeth broken against your mouth or palm or thigh. I
arrange the books by color to find where you’ve been
unintentionally inside.
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